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{"id":102027,"date":"2021-12-28T14:08:12","date_gmt":"2021-12-28T17:08:12","guid":{"rendered":"https:\/\/teatrohoje.com.br\/?p=102027"},"modified":"2022-04-05T09:20:04","modified_gmt":"2022-04-05T12:20:04","slug":"homenagem-da-teatro-hoje-a-artistas-destacados-fecha-o-ano-de-2021","status":"publish","type":"post","link":"https:\/\/teatrohoje.com.br\/2021\/12\/28\/homenagem-da-teatro-hoje-a-artistas-destacados-fecha-o-ano-de-2021\/","title":{"rendered":"Homenagem da Teatro Hoje a artistas destacados fecha o ano de 2021"},"content":{"rendered":"
Cita\u00e7\u00e3o Tetaro Hoje 2021 | Imagem: Reda\u00e7\u00e3o TH<\/p><\/div>\n
Ontem, dia 27 de dezembro de 2021, teve lugar o evento Cita\u00e7\u00e3o Teatro Hoje 2021, com uma distribui\u00e7\u00e3o simb\u00f3lica de certificados aos profissionais de maior destaque da cena carioca de 2020. A reuni\u00e3o, em formato de videoconfer\u00eancia, contou com representantes de espet\u00e1culos destacados nas categorias Apontamentos, Dramaturgias, Performances, Produ\u00e7\u00f5es e T\u00e9cnicas.<\/h3>\n
Estiveram presentes Clarice Niskier, que ganhou dois certificados de cita\u00e7\u00e3o, nas categorias Dramaturgias e Produ\u00e7\u00f5es, pelo trabalho \u201cA Esperan\u00e7a na Caixa de Chicletes Ping-Pong\u201d, conforme as pr\u00f3prias cita\u00e7\u00f5es: \u201cUm manifesto pol\u00edtico & social com pitadas de humor, poesia, canto, muita ginga e principalmente eleg\u00e2ncia. Um teatro total que resume como chegamos no lama\u00e7al em que estamos imersos, desde a coloniza\u00e7\u00e3o portuguesa at\u00e9 as barbaridades com as quais temos de conviver no presente momento.\u201d e \u201cO mon\u00f3logo tem uma pegada bem brasileira. \u00c9 como se Darcy Ribeiro aceitasse a ajuda de Stanislaw Ponte Preta para comporem juntos uma pe\u00e7a exemplar de s\u00e1tira social e pol\u00edtica. Ao escrever este roteiro, Clarice mimetizou o estilo de Zeca Baleiro (inclusive a maneira de rimar) e usou o humor como deboche.\u201d<\/h3>\n
Na categoria Apontamentos, ganharam destaque os trabalhos de Amir Haddad, Andr\u00e9 Junqueira, Fl\u00e1via Niemeyer, Natasha Corbelino, Natasha Corbenino e Monique Vaill\u00e9 e Simone Mazzer e Patr\u00edcia Selonk em \u201cRiobaldo\u201d, \u201cO Filho do Presidente\u201d, \u201cCoro na Quarentena\u201d, Teatro Petra Gold, Teatro Prudential e \u201cQuarencena\u201d, respectivamente. Sobre o trabalho de Amir Haddad a cita\u00e7\u00e3o diz: \u201cPela extrema habilidade de conduzir o ator Gilson de Barros num mon\u00f3logo adaptado do calhama\u00e7o \u2018Grande Sert\u00e3o: Veredas\u2019, transformando-o numa conta\u00e7\u00e3o de hist\u00f3ria em tom coloquial com \u00edntima empatia com o p\u00fablico.\u201d<\/h3>\n
Na categoria Performances ganharam destaque os trabalhos de Fani Feldman, em \u201cComo Todos os Atos Humanos\u201d, e Z\u00e9 Wendell, em \u201cAuto de Jo\u00e3o da Cruz\u201d, e na categoria T\u00e9cnicas o iluminador Aur\u00e9lio de Simoni, pelo trabalho em Riobaldo, que no total ganhou o maior n\u00famero de cita\u00e7\u00f5es: \u201cRiobaldo \u00e9 teatro na veia, um Guimar\u00e3es pocket, algo de novo na dramaturgia nacional; sem adere\u00e7os, sem cenografia e sem figurinos, mas com uma luz abrasiva pilotada pelo experiente Aur\u00e9lio de Simoni, que faz o diabo para que o intimismo da hist\u00f3ria acompanhe na ilumina\u00e7\u00e3o passo a passo as mudan\u00e7as conceituais e psicol\u00f3gicas do personagem.\u201d<\/h3>\n
Participaram da cerim\u00f4nia os teatr\u00f3logos capixabas Carlos Sang\u00e1lia e Wilson Co\u00ealho, comentando textos produzidos para o projeto Teatro Hoje no ES, com apoio da Lei Aldir Blanc atrav\u00e9s da Secretaria de Estado da Cultura do Esp\u00edrito Santo (SECULT-ES). As cita\u00e7\u00f5es completas podem ser lidas na se\u00e7\u00e3o Cita\u00e7\u00e3o Teatro Hoje e o registro em v\u00eddeo pode ser acessado por todo o p\u00fablico no canal de Youtube da revista.<\/h3>\n